WORKS

Graphic Design The Cover Design for Shiseido's Direct Mail Delivers Cosmetics Information Wrapped up in an Airy Sense of the Season

FY2015 Promotion DMs FY2015 Promotion DMs
May 2015 Promotion DM May 2015 Promotion DM
October 2015 Promotion DM October 2015 Promotion DM

Comment

Bringing You the Feel of the Season

--The direct mails (DMs) for 2015 express the colors of the changing seasons using photographs and advertising copy.

Hirokawa: The monthly DMs feature seasonal products that we recommend to purchasers through our clients, who mainly consist of cosmetics specialty stores, drug stores, and general merchandise stores (GMSs). The AD for the cover design changes every two years, and the position serves as a space for each individual to express themselves.

--On what theme were the 2015 DMs created?

Hirokawa: We produced the DMs by combining images of vast landscapes with materials with a focus on vibrant detail in the hope that together they would deliver a pleasant seasonal atmosphere and feel to the recipient.

The DM and envelope for October, when the air begins to dry The DM and envelope for October, when the air begins to dry

Advertising copy on the DM for May, with its beautiful blue spring skies Advertising copy on the DM for May, with its beautiful blue spring skies

A moment of blue sky appears in an achromatic world, accompanied by a mix of colors A moment of blue sky appears in an achromatic world, accompanied by a mix of colors

Advertising Copy that Links the Beauty of a Woman to the Beauty of the Landscape

--How did you pick the theme for each month?

Hirokawa: The theme for each cover was the feeling of the atmosphere and touch of the season. For example, for May I looked for a landscape with a bright and stunning green, while for October I looked for a landscape that expressed the month's slightly chilly and increasingly dry air. I decided the whole year while considering the overall coloring.

Hashiguchi: Regarding the advertising copy, first I worked on "creating a story" to serve as a link between the scene depicted by the photograph and the seasonal cosmetic information. Not just with this project but with all my work, I always feel a great deal of gratitude towards the customers who take the time to read my copies despite the limited number of hours in a day, even if it's only for a few seconds, or a few tens of seconds. In return, every time I work on a project I try to be creative in order to leave behind a sense of empathy and realization with the customers, such as "That's exactly right," or "This is new to me."

Creating Narrative Images to Provoke the Imagination of the Viewer

--How did the shooting proceed?

Hirokawa: We investigated and selected landscapes that would allow us to express the vivid colors of the different seasons in a manner that would feel well balanced when all 12 months were laid side by side. We limited the locations to within Japan, and looked for distinctive sceneries and terrains. We chose landscapes where we could create a composition of earth and sky with no obstacles in between. From there, we confirmed whether or not the locations were available for shooting during the period in which the materials were to be submitted. Sometimes we reorganized the shooting plan and proceeded with the shoot while considering the time of year, time of day, weather, and schedule. Since every shooting took place within a limited time period, we were staring at the sky for almost 24 hours a day in order not to miss an opportunity, gathering at 2 a.m. to watch the stars, at 4 a.m. to catch the morning sun, and during the day to capture blue skies.

Ito: As for the shooting locations, sometimes we asked a coordinator to find one for us, but we also referred back to landscapes that we had discovered in our private lives. For instance, one work featured a landscape that I had happened to find while travelling through the country by motorcycle. That was a good example of a time where my interests and those of the other team members met perfectly.

--Whether a person is in the landscape or not seems to significantly change the impression of these photographs.

Hirokawa: The person represents the image of, for example, a woman who walks positively towards her own goal. I created such an image in the hope that the viewers of the DM would overlap their own feelings with those of the image.

Hashiguchi: In addition to a person, sometimes animals such as birds are included in the photographs, so I wrote the copy differently depending on each character.

--Did you experience any trouble during the shooting?

Ito: The shooting site was always a one-shot deal, in that when we actually arrived at the site, sometimes we struggled to find a spot with a clear background, or we had to deal with the weather. With every shooting it was difficult to bring a uniformity to the pictures, which were taken in completely different locations.

Hirokawa: We made our best efforts to capture a moment from each season and to contain it within the square shape of the DM. We hope that people who see the DMs will feel the pleasant atmosphere and touch of the four seasons, and will spend a lovely time doing make-up and caring for their skin while enjoying the changing seasons.

When shooting flowers, the sought-after instant of full bloom is available only for a moment When shooting flowers, the sought-after instant of full bloom is available only for a moment

Waiting for the blue sky to appear over ice-covered Mount Hakkoda Waiting for the blue sky to appear over ice-covered Mount Hakkoda

Published in March 2016

Profile

Maria Hirokawa : Top Art Director / Designer
Maria Hirokawa joined Shiseido following her graduation from the Department of Design, Faculty of Fine Arts, Tokyo University of the Arts. Her major works includes products for the global brand "SHISEIDO's" skincare line and travel retail packaging.

Asuka Hashiguchi : Middle Copywriter
After graduating from the Graphic Design Course at Central Saint Martins College, University of the Arts London, and working at an advertising company as well as a major telecommunications company, Asuka Hashiguchi joined Shiseido. She is a copywriter at the Advertising and Design Department, Shiseido.

Shotaro Ito : Bottom Photographer
Shotaro Ito graduated from the Photography Course at the College of Arts, Nihon University, and works mainly in still-life photography. His recent major projects include work for SHISEIDO MEN and SHISEIDO UV Protector.

Credit
AD / D
Maria Hirokawa
C
Asuka Hashiguchi
P
Shotaro Ito

Regarding credit notations:
  • CD: Creative Director
  • AD: Art Director
  • D: Designer
  • C: Copywriter
  • P: Producer
  • PH: Photographer
  • PL: Planner

Credits include only staff members of the Advertising and Design Department, Shiseido.

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